Sécurité maximale

  • France Lockout
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Set in the near future, Emilie (Maggie Grace), the President’s daughter is visiting a maximum-security prison in outer space when an unexpected riot breaks out, and the criminals take over the space craft. The government has no choice but to send in Snow (Guy Pearce), a snarky, wrongly-accused convict and former government agent who is offered his freedom if he can rescue her. (official distributor synopsis)

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Reviews (10)

novoten 

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English Explosive, uninhibited, breathtaking, indefensible. And all that much more irresistible. Guy Pearce has found his new career challenge and alongside the increasingly beautiful Maggie Grace, he has proven to be a first-class stud. Thanks to the relentless pace of the lines and the killer tempo, Lockout is a blast that locked me in for an hour and a half and in the end spat me back into a world where we'll probably have to wait a few more years for space prisons. Pure action fun in its most positive form. ()

wooozie 

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English Terrible, horrendous, atrocious, and I could go on adding words to the list to characterize this piece of crap. The movie doesn’t make any sense whatsoever. It has no ambition of being anything other than an average sci-fi B-movie. There’s no way it can surprise you. After reading the description of its “plot”, everyone can get an idea of what utter nonsense it will be, and it ends up being a huge failure. Some of the digital effects were definitely made in 2012, only B.C. Nevertheless, through some sort of an accident, Pearce appears in this movie, and has a great line for any situation, followed by even better lines, so he was a guarantee that I wouldn't go completely nuts during those 90 minutes and I managed to watch the movie till the end. Anyway, Besson should consider changing careers, because this is pathetic. (PS: The movie features the fastest free fall in human history, which would put Baumgartner and Red Bull to shame.) ()

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Marigold 

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English Terribly boring. In the film, Guy Pearce does try to spread love and understanding in the style of John McClane, but the script does not give him enough sharp one-liners or enough straightforward situations. The number of explanatory captions at the beginning should have made someone think about it and rewrite the whole script in a striking 80's variation. Crossing a conspiracy poodle with an action doberman just doesn't work. ()

Othello 

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English Don't even try without activating Besson mode or your head will fly off. The rest of it is a loving B-movie with such a lack of self-reflection in any of its components that you'll choke on your fries more than once. How do you get rid of one of the characters the film no longer needs? Umm hmmm so maybe... got it, let's have an orbital station crash into a space prison! And yet this only happens when the viewer is already in complete zen because they've been in a long post-coital rip from arguably the worst digital chase ever, comparable to the rendering of the intros to 90s video games. That's just the way my B-action heart beats. ()

Kaka 

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English An incredibly cheap and essentially stupid movie, but it's beautiful that the people behind it are aware of it and are having as much fun as the audience, which unbelievably stares at the screen every few minutes. I didn't expect Guy Pearce to be this cool and for Maggie Grace to have such balls. Surprise on all fronts, or in other words, even with a few bucks, you can a pretty decent action that doesn't rely on a dumb script, but rather on the charisma of the main actors and a barrage of arrogant lines. ()

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