Contagion

For a thriller, there is not enough escalation, for a drama, there is not enough room for characters, and for a pseudo-documentary, there is too much casual presentation of empty "facts". The half-heartedness that protrudes from every other scene is sometimes unbearable, making Soderbergh a regular unlucky one. As a pure popcorn movie filled with tension, Nákaza could have scored much more forcefully, but this way, the creative intention completely missed its mark. (2012-01-01)

Typical Soderbergh, a cold, atmospheric (music, camera filters), surgically precise film. Contagion basically imposes nothing on us, it just shows the possible origin of an infection (banality) and its consequences in the context of human infection (captivating). This is followed, of course, by other things like hysteria, looting, religious problems, ethnicity, basic needs, etc. Perhaps a slight advantage for the director is the fact that he’s working with a topic so interesting in itself that even if the film wasn’t that good, its potential to captivate would still sweep away the shortcomings. Essentially, a film that is impossible to tear away from. (2012-01-01)

One might have expected the film to go against traditional audience expectations, yet Soderbergh manages to surprise us mainly through the optics he applies to the sloppy plot. He makes do with a documentary-like tone instead of spectacular crowd scenes and quite sovereignly lets the famous Hollywood names have minimal parts, for which they reward him with great performances. This is minimalism that digs deep under the skin. PS: This is the second film this year that was largely "made" by Cliff Martinez. (2011-10-20)

Contagion is high-quality filmmaking craftsmanship in the typical Steven Soderbergh fashion, with the intelligent idea of a global catastrophe and how to deal with it, topped off with attractive characters. Rather than “ordinary people”, the film focuses on characters who are in a position to deal with this problem directly and who, through their vulnerability, are also shown as ordinary human beings. The “chemical” atmosphere is emphasized by progressive electronic music without a single emotion. There could be more powerful moments and the best parts should not have happened at the beginning. The explanatory ending is sloppy. Overall, Contagion is a decent alternative to disaster movies as we know them from Emmerich and such :-) (2011-10-13)

People will always wonder why I'm terrified of public transport, that I don't touch any of the handrails and every coughing person scares me, and that I wash my hands more thoroughly than a doctor before entering the operating room. All credit to you, Steven Soderbergh, you did it. A virus lurks around every corner, a simple handshake or use of a credit card becomes a mortal danger, tens, hundreds, thousands and hundreds of thousands of people die... And I'm not bored by any of it. Contagion is actually a classic disaster film, of which there used to be many. Just like When Time Ran Out, The Towering Inferno, The Swarm and others, this film is full of familiar faces who (understandably) attract the audience but also do a disservice to the script. Thanks to their performances, we are in fact interested in those characters who would otherwise be completely ordinary, and it doesn't matter that none of them is the main character. The plot, which unfolds according to the expected pattern (contagion-dying-antibodies-question mark), looks mundane, but also feels pleasantly dramatic and somehow heavy thanks to the cold and unsettling direction, cinematography and music. It's a great pity that Contagion isn't at least half an hour longer. The sophistication of the story and the characters would certainly have benefited from it, and the film would perhaps have gotten rid of the somewhat rushed ending. Otherwise, there is nothing to complain about. (2012-02-18)