Directed by:
Peter BergCinematography:
Tobias A. SchliesslerComposer:
Steve JablonskyCast:
Alexander Skarsgård, Taylor Kitsch, Liam Neeson, Brooklyn Decker, Rihanna, 浅野忠信, Hamish Linklater, Peter MacNicol, Jesse Plemons, David Jensen, Gary Grubbs (more)VOD (1)
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Peter Berg produces and directs Battleship, an epic-scaled action-adventure that unfolds across the seas, in the skies and over land as our planet fights for survival against a superior force. Inspired by Hasbro’s classic naval combat game, Battleship stars Taylor Kitsch as Lt. Alex Hopper, a Naval officer assigned to the USS John Paul Jones; Brooklyn Decker as Sam Shane, a physical therapist and Hopper’s fiancée; Alexander Skarsgård as Hopper’s older brother, Stone, Commanding Officer of the USS Sampson; Rihanna as Petty Officer Raikes, Hopper’s crewmate and a weapons specialist on the USS John Paul Jones; and international superstar Liam Neeson as Hopper and Stone’s superior (and Sam’s father), Admiral Shane. (Universal Pictures UK)
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Reviews (13)
It would be good to say upfront that Peter Berg was to a considerable degree inspired by the master of the genre, Michael Bay, at least when it comes to visual aesthetics and style. As some have rightly pointed out, Michael works much better with the sunsets. But let's go in order. The acting is average, sometimes even dumb. Neither the funny scenes nor the moments of returning to life (the marine without legs) work, the funny lines are nothing special, and the only truly engaging dialogues are led by Liam Neeson and Taylor Kitsch in those few minutes (Kitsch, who suddenly appears out of nowhere in two big projects, is quite unremarkable as an actor). Brooklyn Decker looks really nice, but not really in her acting. The script is boring. It’s hard to come up with something, but the simple mythology and visual portrayal of the invaders irritated me and test the audience's intelligence quite assertively. Just like some “over the top” scenes with the USS Missouri that made me want to laugh. At least the constant eye candy action is enjoyable. As soon as something starts happening, it ends with the final credits. A few beautiful scenes of destruction of ships and planes, effective camera raids, and a nearly identical shipwreck staged above Hong Kong as the asteroid fall over New York years ago in Armageddon. Visual effects with a gap of about 15 years? (something to think about). Yes, sunny shots, very clear, technically almost flawless except for a few details. However, it is tremendously stupid. There is not enough romance, not enough catharsis or emotional lines. Bay is a charmer who knows how to mix everything together beautifully, Berg only knows action.
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"Comrades, the imperialist scumbag from outer space is once again stretching his stinking claws around our motherland, this time he wanted to splash around in our trade union resorts in Hawaii. In addition to our overgrown actors, long-legged national artists and beautiful ships, our veterans and cripple comrades will also stand up to him. Deserved artists from AC/DC can be heard whilst we march." I swear I haven't laughed this honestly in a movie theatre in a long time. Although Battleship is a Marine agitation film made up of the dumbest genre-ideological clichés, it is so overdone that it raises some doubts as to whether Berg and his screenwriters poked a bit of fun at the patriotic contract. They didn't, of course. In an American blockbuster, it's possible to make a fun of Jews, Catholics, women, gays, and government officials, but definitely NOT about cripples and metal retirees (so let's face the fact that what we're laughing at in disbelief, ordinary American viewers raised on parades and patriotic interpretation of history take quite seriously). The basic taboo "you won't mow down a cripple with a UFO and you won't hit a veteran with a piece of a cannon" is therefore an honor. They bring the story to a properly vigorous tone and the spectator gets a warm feeling leaving the movie theatre that there is fun and a good bunch at the marina, although a horde of bearded lizards from Green Lantern plunder seaside resorts (plus, an American and a Japanese man are friends near Pearl Harbor, trying to understand Sun-Tzu's “Art of War"). Berg simply took everything I hate in similar films and put it into fairly well-arranged and playful nonsense, which is exactly sarcastic enough to take away his "empire is still alive" message. I rate the contagious peaks of socialist realism similarly, so why ostracize the genre of agitation films in the capitalist one, right?
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If you want to see a WWII ship drift across the waves of the Pacific... I think you should go for it. It may be pretty to look at, but that's about it. The story is weak, it pushes patriotism quite a bit; it has it all – flags, the sun in the background, military pride, veterans, invalids... Just a great American movie about a military setting. There's some fighting, some friendship, some loss, some explosions. Yeah, and there are aliens, but nobody really knows what they want. I guess, like, to mine the Earth or something? Nobody knows.
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Jurassic transformers. Battleship is a blockbuster with a huge budget and all the obvious flaws (clichés and idiocy) as well as the necessary pop elements: megalomaniacal action, self-irony, a young hero wooing the daughter of a captain, G.I. Rihanna, a legless black hero and retired sailors saving the world. If it had come out sometime before 2007, it would have been a hit. Today, however, these waters are ruled by Michael Bay, whose visual concept is something else – from action through sunsets to female curves. Peter Berg is visually static and unoriginal. Furthermore, Battleship isn’t helped much by the existence of equally spectacular but intelligent blockbusters like X-Men: First Class.
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An average and unremarkable American popcorn action film, based on stunning visual effects and a flat script, it doesn't offend, but it doesn't amaze either. Taylor Kitsch unfortunately doesn't handle the lead role well at all, failing to be expressive in any way (like in John Carter), but thankfully this is smoothed over by the acting of Liam Neeson and Alexander Skarsgård. In short, a film that really only stands out because of how mediocre and formulaic it ultimately is.
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