The Dark Tower

I never thought an hour and a half could drag on like this. The Dark Tower has its moments, both Matthew McConaughey and Idris Elba fit their roles excellently and Nikolaj Arcel is confident in the action scenes, but unfortunately it's all pretty banal, ordinary and boring. Plot-wise, The Dark Tower never surprises with anything, which doesn't matter when it pretends to be an action B-movie. Unfortunately, however, it more often than not tries to pretend it's a grand fantasy full of fascinating worlds, other dimensions, terrifying monsters and mysterious creatures. And given that the ventures outside our reality end up in a desert with one theme park, one village, and a few completely uninteresting side characters, it comes across as a bit funny. The Dark Tower looks like a pilot for a more ambitious fantasy series that would like to show its world to viewers in the episodes and seasons to come. Unfortunately, it shows so little the first time around that I have no desire to be there the next time (though there probably won't be a next time anyway). It's not a disaster, but there really isn't much of the downright interesting stuff to send you to the cinema for. (2018-07-27)

I haven't read the book, but I believe that it is definitely more interesting. The film feels very rushed in places and what can we say, cramming seven books into ninety minutes is impossible, a longer running time would have been better. I have no complaints about the acting, Idris Elba is a proper hero and Matthew McConaughey as the bad guy is excellent – it's a wonder that A-list actors are in such a B-movie. The action is decent, nicely shot, only the scene with the demons was too dark. There’s almost no atmosphere, so I wouldn't describe the film as horror even though it is labelled as such here, but for one viewing I think it's decent, inoffensive fun. 65% (2017-10-08)

This movie has an incredible capacity for unwatchability. Everything in it is so colorless and dry that connecting to it is a superhuman task even for Shaolin masters of empathy who eat Lasse Hallström marathons for breakfast. Until the last action scene, there is not a single shot more interestingly constructed, character presented, or piece of information spoken. Nor is the eventual madness monumental enough to snap you out of an unpleasant apathy, comparable only to being handcuffed somewhere while someone tries to beat you for hours with the plastic hammer from the Little Builder set. In the end, it pokes the little horns of videogame action, where the fight with the Man in Black in particular is reminiscent of boss fights in videogames, aided in particular by frequent over-the-shoulder shots and a small operating space where the hero can only hide behind columns to dodge the increasing attacks of his opponent, using the interactive environment as the key to defeating him. Still, I can’t help but ask: is that enough? Whatever. Enough is just a word. (2017-11-17)

Mixed feelings about this one. On one hand, its fine that they filmed it, on the other they filmed it so freely that it sometimes really got on my nerves, and also the way they eat meals in one location after another, killing any potentially productive storylines. Elba is really good, McConaughey is super, several cuts above the rest. His version of Flagg is cynical dark and you can see that he really enjoys himself. King’s essence of evil is presented just right. What isn’t ok is character motivation. Roland’s quest is the tower, not revenge. The point of the book is gone. They just left the gravy. Why was the one-volume Hobbit made into three long movies, while the eight-part Tower get just one short one. It’s makeshift, like a series pilot, but it made me want to read the book again. Perhaps they’ll filmed right someday. (2017-08-29)

Not great, not terrible, rather an average film that only very theoretically could have been better. I didn't expect that The Dark Tower could be filmed better than in an average way. For those unfamiliar with the book (or in this case rather “drafts") will probably be more conciliatory. Connoisseurs may like the introduction with Jake, and then various allusions to Mid-World (talking raccoons in a commercial, Walter's Glass Balls, 19-19...) and to King's other works (The Shining, It, Christine, The Shawshank Redemption, 1408, Salem's Lot...); however, the film won't offer them much more than that. Perhaps just the surprise that, God knows why, the screenwriters changed the function of the Tower or the Rays. Idris Elba is almost uninteresting as Roland and has almost no motivation, the actor playing Jake is also bland, and Matthew McConaughey plays Walter like Al Pacino in The Devil's Advocate, but the directing or the script do not help him too much, the spark of atmosphere only shines every now and then, and there no fear emanating from it. The final battle wants to be flashy, but is instead rather awkward. I'm not offended, but if the film hadn't been made, it would not have mattered. (2017-08-24)