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There are other worlds than these. The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O'Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black. (Sony Pictures)

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Reviews (13)

EvilPhoEniX 

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English I haven't read the book, but I believe that it is definitely more interesting. The film feels very rushed in places and what can we say, cramming seven books into ninety minutes is impossible, a longer running time would have been better. I have no complaints about the acting, Idris Elba is a proper hero and Matthew McConaughey as the bad guy is excellent – it's a wonder that A-list actors are in such a B-movie. The action is decent, nicely shot, only the scene with the demons was too dark. There’s almost no atmosphere, so I wouldn't describe the film as horror even though it is labelled as such here, but for one viewing I think it's decent, inoffensive fun. 65% ()

lamps 

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English It's a mystery to me why they didn't do a better job with this. The premise calls for mature serious fantasy by Peter Jackson, not just a maturely told children's tale where everything is too simply outlined and resolved. I certainly wouldn't call it a dud – for that the film is under control directorially and there are a number of nicely and stylishly edited scenes; but it should have taken a different, darker and more varied route. Elba is a proper good guy, McConaughey as the bad guy the best thing about the whole film. I want an expensive and similarly cast TV series. ()

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Othello 

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English This movie has an incredible capacity for unwatchability. Everything in it is so colorless and dry that connecting to it is a superhuman task even for Shaolin masters of empathy who eat Lasse Hallström marathons for breakfast. Until the last action scene, there is not a single shot more interestingly constructed, character presented, or piece of information spoken. Nor is the eventual madness monumental enough to snap you out of an unpleasant apathy, comparable only to being handcuffed somewhere while someone tries to beat you for hours with the plastic hammer from the Little Builder set. In the end, it pokes the little horns of videogame action, where the fight with the Man in Black in particular is reminiscent of boss fights in videogames, aided in particular by frequent over-the-shoulder shots and a small operating space where the hero can only hide behind columns to dodge the increasing attacks of his opponent, using the interactive environment as the key to defeating him. Still, I can’t help but ask: is that enough? Whatever. Enough is just a word. ()

3DD!3 

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English Mixed feelings about this one. On one hand, its fine that they filmed it, on the other they filmed it so freely that it sometimes really got on my nerves, and also the way they eat meals in one location after another, killing any potentially productive storylines. Elba is really good, McConaughey is super, several cuts above the rest. His version of Flagg is cynical dark and you can see that he really enjoys himself. King’s essence of evil is presented just right. What isn’t ok is character motivation. Roland’s quest is the tower, not revenge. The point of the book is gone. They just left the gravy. Why was the one-volume Hobbit made into three long movies, while the eight-part Tower get just one short one. It’s makeshift, like a series pilot, but it made me want to read the book again. Perhaps they’ll filmed right someday. ()

J*A*S*M 

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English It wasn’t as terrible as all the negative, almost hysterical responses had made me fear. Overall, it’s rather ordinary, unambitious and unremarkable. The casting is good, even the main boy, who didn’t annoy me, which in this kind of role it’s always a success. The special effects are pretty lame, most of the scenes are covered in darkness (for instance, the fight with the demon in the woods, that one was so dark that I thought the projector had broken down), and the entire film feels terribly rushed, like a fragment of a bigger whole. This is perhaps understandable, given the length of the book it’s based on, but, as a viewer who hasn’t read it, I’d appreciate the adaptation not making it so awfully clear. I don’t see the reason to make much of a fuss, but rather to sigh over the unfulfilled potential. ()

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