La Dolce Vita

Sweet, but impenetrable. Just as Fellini can captivate and almost carry away in some dialogues, he can equally thoroughly bore in this demanding three-hour film. Mastroianni plays the bohemian to the fullest, but his Marcello lacks the necessary character weight that such a presence deserves. However, what disappoints me the most is the change from intimate drama to heavy criticism, which makes the whole film disintegrate into several parts that more or less cease to relate to each other. So, I remain somewhat at a loss in my evaluation. I can feel the power that this film can offer, which only a good film can provide, but it couldn't fully reach me. (2006-05-01)

Sometimes I have a little problem with these long-established movies because I don't see their contribution and they do not entertain me. However, Federico Fellini made a film that is narratively interesting, even though it is almost three hours long. This opus about society, with such beautifully scathing criticism, just has to be liked. (2015-03-27)

While some scenes and the fates of some of the characters probably appealed to me exactly as they should have, I was rather bored for most of the drawn-out, gigantically overblown runtime. Not enough to keep me from making it to the end, but still enough. I will gladly give La dolce vita another chance, because it definitely needs it, but I won't be in a rush to do it.__P.S. Beautiful music by Rota. (2011-07-17)

After Nights of Cabiria and 8 1/2, I had the opportunity to see La Dolce Vita, a film praised in all the reviews, and I expected something special and memorable, but I was also worried that this film would miss its mission by a large arc. And actually, I was not wrong about either. Fellini's directorial talents can be felt in many scenes, and some passages are absolutely legendary, the Trevi Fountain or the final "orgy", for example. Unfortunately, I got quite lost in the plot in places and some scenes were incomprehensible to me. So I'm on the fence about the rating. It's an incredibly long film and at times hard to digest, but on the other hand it's a truly fine piece of art. In short, a film that I can appreciate, but unfortunately not value. (2011-08-27)

Some people don’t know what the three hours of La Dolce Vita are about, and yet it’s evident in every elaborate shot, in every sweet sounding Italian line packed with multiple meanings, and in every facial gesture that the bohemian, doomed paparazzo Marcelo Mastroianni conjures up on his charismatic face. A brilliantly constructed and harmonic story, where Fellini manages to turn countless bitterly symbolic scenes into iconic and often quoted moments of world cinema thanks to their visual perfection and universally accessible melodramatic character. The blonde diva bathing in the fountain while the blinded Marcello fetches milk for a stranger's kitten at her request, the hordes of journalists circling the social elite like annoying flies, the abuse of a drunken girl for a humiliating dance and finally the ending itself, when the hero, despite the sea surf and the screams of his companions, does not understand the words of the unspoiled young girl and turns his back on her, facing his moral doom. All of these are wonderful cinematic and unforgettable scenes that of course make for a delightful, or rather, sweet viewing experience. 95% (2015-10-04)