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4th century A.D. Egypt under the Roman Empire… Violent religious upheaval in the streets of Alexandria spills over into the city’s famous Library. Trapped inside its walls, the brilliant astronomer Hypatia and her disciples fight to save the wisdom of the Ancient World… Among them, the two men competing for her heart: the witty, privileged Orestes and Davus, Hypatia’s young slave, who is torn between his secret love for her and the freedom he knows can be his if he chooses to join the unstoppable surge of the Christians. (Transmission Films)

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Reviews (10)

J*A*S*M 

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English A beautiful historical film set in late antiquity Alexandria, featuring my beloved Rachel Weisz. The quality was a very pleasant surprise and the courage to show certain things full-on was also a shock. The world is still full of lunatics and if I were the godless Amenábar, I’d watch out very carefully for any stone flying in my direction. ()

kaylin 

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English "Agora" is a film that deceives us a little by its appearance. Alejandro Amenábar is a director from whom we expect great things. A bit of artistic films that will captivate you. "Agora" will not disappoint in this sense, because it deals with a subject matter that you won't easily see in a film. After all, there aren't that many historical films that don't revolve around heroic and beautiful characters. Moreover, when we realize that the main character is a philosopher, something will seem a bit suspicious to you. But that says a lot, it really is a philosophical film, as well as a film about philosophy. More: http://www.filmovy-denik.cz/2013/02/agora-2009-65.html ()

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Kaka 

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English As two hours of history, it's okay, with solidly outlined battles both physically and spiritually. As a film, however, it fails. It's only bearable for two hours thanks to the lavish production design and solid philosophy, because it's hard to sympathise with the frigid Rachel Weisz on any level other than scientific, and the other characters are elusive. In addition, there are confusing fight scenes, inconsistent emotions, and an awkward outcome. Maybe, if they had thrown in some allegorical madness or a few sad looks, I would have thought it was directed by the chief philosopher Aronofsky. ()

D.Moore 

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English ...and since they didn't beat each other up back then, they're still fighting to this day. The only difference is that stones and sticks are no longer in use and have been replaced by much more "advanced" weapons. That’s too bad. My hat is off to both Amenábar the screenwriter and Amenábar the director, for he has managed to put together a film in which I have nothing to fault. There is no need to think long about the relevance of his idea, nor is it necessary to consider whether Rachel Weisz is better looking or better acting (it's a tie, of course), I fell in love with Marianelli's soundtrack a long time ago... But I was absolutely stunned by how good Agora looks. The director intersperses breathtaking aerial shots of a living Alexandria with stunning space views of Earth, perhaps to suggest that someone is watching the mayhem going on below... If that's the case, I wonder if that someone is grinning in amusement or shaking his head and wrinkling his forehead in despair. ()

3DD!3 

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English The story is almost timeless and definitely manages to captivate, the setting is grandiose, and the actors, led by the beautiful (Miss Teacher) Rachel Weisz and the fanatical Ashraf Barhom are very good. Amenábar is good at telling stories, and despite sometimes trying too hard to manipulate situations to reflect current problems, he navigates the story with a firm hand. I really appreciated that the sub-plot was devoted to exploring the universe (thanks to that we have breathtaking footage from space) and one of the most remarkable libraries of the ancient world. ()

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