A Perfect Getaway

Such a stylish twist occurred to me long ago and I’m glad that somebody (Twohy) finally managed to get it into such a well-cast movie. That foxy Milla got to me again, back in great form after having a baby and the snappy-tongued Timothy “American Jedi" Olyphant who surprisingly often grabs all the attention for himself. Kiele Sanchez from Lost was just made for this type of movie and it was good to see tough guy Chris Hemsworth, who convinced me that he really does have the balls for Thor. And otherwise... wonderful landscapes, but that is somehow expected from this kind of movie. (2009-10-24)

This film deceives not only the audience, but also itself. It is an example of how NOT to write and direct a thriller with a surprising point, at least if it is supposed to be as interesting on the second viewing as on the first. David Twohy should go back to placing emphasis on the visuals and atmosphere and not putting too much strain on his brain. (2009-12-13)

This film was definitely not as pleasant a surprise for me as I had hoped. The whole plot was predictable, and because of that, it felt poorly executed and poorly anchored, where what was presented at the beginning didn't match what was happening, but not in a way that deceives the viewer like The Sixth Sense, but rather just plays a game with them, which in my opinion doesn't work. (2016-04-14)

It's not shocking, it's not terribly clever, but it's damn funny! I was surprised by Steve Zahn, who certainly didn't resemble any of his "usual goofballs", and I was pleased by the nice actresses with Milla in the lead, but Timothy Olyphant was clearly the best of all. His character may have acted like something out of a cheesy B-movie, but the way he played it was breathtaking. Director Twohy deserves praise for the hellishly dense atmosphere and for the fact that the film doesn't get boring even in the passages when the characters just talk to each other. The only thing that bothered me a bit was the ending, but I'll give it four stars anyway. (2010-11-20)

A very pleasant surprise. It’s true that the beginning (i.e. the first hour) could be a lot faster or shorter, but it’s not boring for a second. Likeable characters, a beautiful landscape and fun dialogues, those are the main reasons why I didn’t have any problem with this film and its initial slow pace. The last twenty minutes are brilliant, fast and tense, with a gimmick here and there, like slow motion preceding fast motion. The only flaw in this otherwise perfect thriller are those ten minutes of exposition that may be justified, but up until then the viewer is led by the nose and this scene comes right when the film starts gaining speed, so it’s hard not to look forward to the end of that explanation. Very good summer thriller. 7/10 (2009-10-18)