Orphan

I certainly wouldn’t show the brutal beginning to expecting mothers, it was even a bit much for me, but otherwise a superb genre movie. In fact, I even considered giving it a five, but I didn’t find one of the twists at the end convincing (on the other hand it did mean that the always superb Karel Roden made an appearance). But in my opinion... the hammer hit the nail right on the head. :) (2010-02-20)

Such a good idea for a punchline certainly deserves better than this family (non)idyll with a stupidly behaving herd of adults and zero atmosphere. Or if not better, in any case shorter. While the first hour still works great, it gradually starts limping during the last half hour from one dumb cliché to another, in the last ten minutes becoming a parody of all of the worst genre clichés known to man. An unintentional parody, I should add. P.S.: It’s crying out for a Czech remake, we even have a perfect main protagonist (!SPOILER!) already. (2009-10-10)

Brilliant, distinctive, in some ways unadorned, and excellently escalated. I look at most of today's psychothrillers/horror films with significant removal, because almost none of them lack sexy female protagonists (future victims), who of course impress with their visual merits, especially in the moments when they stagger in front of the camera in their underwear – usually full of despair and drenched in blood. Orphan works with the concept of culminating terror (both physical and psychological) and is extremely impressive, in some ways even truly chilling atmosphere. The playground scene with the slide is a demonically refined display of creative potential, which (world of wonders!) the director of House of Wax exploits to the hilt. Several (certainly more than three) memorable scenes push this film to the top of the genre in the final reckoning, and I really have to say that it’s been some time since I saw a similarly honest film built primarily on suspense and the viewer's necessary concern for the main characters. (2012-04-14)

Distinctive, atmospheric, surprising. Orphan rides the first two acts in a well-trodden path, only to turn into an uncompromising knockout for all those who dared to doubt its potential. A bit simple and naive, but an excellently acted, psychologically refined and spooky fable about a cute little girl's nose, which has something to offer even after repeated screenings thanks to its brilliant direction... 80% (2011-07-04)

Quite impressive, but at times it’s a mysterious spectacle that is bit too far-fetched, and which, in my opinion, could have had an even worse ending. It is particularly far-fetched in terms of the actions of the parents (or father), the psychologist, the nurse from the orphanage... Essentially, almost everybody except the mother. But the acting of the two central female characters is very good, and the direction, including Ottman's reliable music, is also very good. And it's definitely a bonus that I almost didn't realize that it had a two-hour runtime. (2014-02-07)