Up

There are Madagascar (or Ice Age) adventures, and then there are South American adventures. The first ones rely on dozens of funny characters, put together by a weak storyline about family values. The South American adventure contains only one funny character and the movie tells a story of wasted opportunities and fulfilling one’s childhood dreams (which may also have a dark side — a cleverly presented difference between a child’s and adult’s perceptions). Up is an animated movie that can only be fully appreciated by adult viewers (kids will definitely have more fun watching the Madagascar series). The highlight of the movie is the opening sequence, which briefly summarizes the life of the main character from his childhood to old age. It’s pure beauty. If the creators said “sod the kids” (which they obviously couldn’t do :)) and went on with this type of storytelling, this could have been my all-time favorite animated movie. (2009-08-12)

The puppet masters (3D) prove why it is such a success for all audience ranges. For the first time, however, I feel like they’re being overly confident. There’s no willingness to take risks or deviate in any way from the popular trend. Life’s truths caress, while the overly mentoring tone grates on the nerves. I wasn't bored, but I didn't enjoy it, and that's worse. (2009-11-02)

When you get the meanness of the old grandpa, the cuteness of the little boy, and the charming Kevin into the movie, it's something to watch! Plus, the atmosphere was soooo awesome in the theater, where I was probably the oldest one there. It was only at the beginning of the second half of the movie that the kids started suspiciously excusing themselves to the toilet... there were a few minutes of boredom. (2011-04-23)

Not only proof that it is never too late for an adventure, but also confirmation that in the right hands of a director and animator, a pearl can be made even from an unusual combination of several favorite clichés. Until now, I am amazed that a drama about unfulfilled dreams does not contradict the adventurous spectacle, but perfectly adds a deeper dimension to it. (2009-08-20)

Gran Torino meets Indy in escapades à la Pixar. Some parts are great, but altogether it seems so inconsistent that it’s bothering. However, Carl is a really nice guy and his only blemish is that he’s not dubbed by Clint. The real “hero" and the dog do their CGI best to make this movie work. And they had to try hard, because this movie was moving alarmingly near to the shameful average (quite normal for Pixar). (2009-08-22)