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A college professor (Nicolas Cage) opens a time capsule that has been dug up at his son s elementary school. In it are some chilling accurate predictions of disasters... when, where, and how many will die. Most of these events must uncover the details of the next disasters in hopes of preventing them. If he fails, who knows how many will die? (Summit Entertainment)

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Reviews (12)

Zíza 

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English Caleb was a bit of a klutz. Abby totally cool, like nothing was going on all the time, her mom the complete opposite, just yelling, hysterical all the time. And Nicholas was Cage... More than half of the movie was pretty much boring, and for how long the movie is, it's pretty long. The best part of the whole movie was the big flashback. So I'm thinking the last scene could be followed up with another movie... ()

D.Moore 

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English If Nicolas Cage has something to act in, he does it. In the case of Knowing, he was lucky to have both a decently atmospheric and chillingly escalating script and a director who really knows how to play with films. After a long time, Knowing is a Cage film (i.e., starring Cage) that I can recommend to just about anyone. Suspenseful from the beginning until the great final 25 minutes, with decent special effects and Marc Beltrami's music, which you will notice especially during the more dramatic scenes. Clean four stars, good job! ()

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Lima 

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English Proyas is a wizard. For a ridiculously low amount of money (by the budgetary standards of modern Hollywood), he delivered an atmospheric visual treat that can send chills down the spine. Though script-wise is like a poor man’s Close Encounters of the Third Kind, and the pathetic conversation with the father and the grain scene look like something out of the Jehovah Witnesses’ magazine Watchtower, I still give it thumbs up for the bold apocalyptic denouement. The film is not without flaws, but you can feel the craftsmanship and the author's passion for the cause, and that is appreciated. Proyas's favourite albinos had a suitably creepy effect, with Cage surprisingly tame and not overacting. ()

3DD!3 

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English You know those movies that have a brilliant theme but kind of a stupid screenplay? Well, this is one of them. Luckily, Proyas is such an expert that he brings absolutely everything to really important scenes. The disasters that happen are each more delicious than the last and are filmed in such a way that you won't know which one you liked better. Cage kind of pissed me off that he stole such a good movie from someone who isn’t going through a bad acting period (though he tried quite hard here) and I was wondering why not try to cast Kiefer Sutherland or Tom Hanks? Mainly, it would have been better to re-cast the screenwriters. However, at the end I was fully absorbed and I was just watching to see what the hell was going on. Atmospheric science fiction which brings one possible answer to the basic question: "Why?". ()

Kaka 

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English Thrilling atmosphere and visual effects. Proyas is one of the few directors who knows how to utilize the technical aspects of a film to the fullest, which means not only as a showcase of current technologies, but as a fully-fledged plot attribute. The solid beginning is unfortunately marred the quite clumsy ending – a blend of kitsch and pathos – and at times I even felt that the director didn't know where to go. In the last minutes, it was quite a mess. Knowing could have turned out much better. Cage is bearable after a long time, even in a non-action role. ()

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