Pineapple Express

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Process server Dale Denton has a grudging business relationship with the laconic Saul Silver, deigning to visit only to purchase Saul's primo product--a rare new strain of pot called Pineapple Express. But when Dale becomes the only witness to a murder by a crooked cop and the city's most dangerous drug lord, he panics and dumps the Pineapple Express at the scene. When it's traced back to him, Dale and Saul run for their lives--and they quickly discover that they're not just suffering from weed-fueled paranoia. If they survive, these two just might become real friends. (official distributor synopsis)

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Reviews (9)

DaViD´82 

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English An outstanding cast, a couple of side-splitting scenes, an excellent opening half hour and corners of the mouth lifting here and there for the rest of the movie. But what good is not taking itself seriously and spot on mockery of buddy action pictures when it backfires due to unnecessary length. Just a classic project from Apatow production studios. Cutting twenty minutes wouldn’t have done any good in the end. To make things better, it would need at least twice as much material on the cutting room floor. Including the action finale which is like out of a completely different movie. Which wouldn’t matter if it had been a good movie. But that wasn’t the case. Plus it’s d-r-a-w-n--o-u-t so much that it dethrones the Return of the King with its never-ending stream of endings. The Rogen, Franco and Robinson trio simply doesn’t have a chance to pull the Pineapple Express along, however hard they try. Clouds of marihuana smoke can’t hide everything. And not even smoking a “Christmas time" joint before switching on. ()

POMO 

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English “You just got killed by a Daewoo Lanos, mother*ucker!” is the only line that made me laugh out loud. Even though it was produced by Judd Apatow, it’s extremely unfunny. And not because I don’t get stoner humor or that Seth Rogen and James Franco don’t look convincing enough with a joint, and the same goes for Danny McBride and a shotgun, but because the script is so forced, it is literally painful. ()

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lamps 

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English Entertaining, but often too over the top. Unlike many others, I don't think the are doing a good job when they mindlessly throw the main characters into a whirlwind of situations so exaggerated and implausible that their occurrence is explained at most by the proliferation of the titular addictive substances even among the actively thinking members of the crew. Not to mention the fact that half of these scenes are not half as funny as they deserve and we expect... But even so, I can imagine much, much worse shit ;) 60% ()

D.Moore 

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English A few scenes are ridiculously funny (the apartment brawl, the car chase), and even the rest isn't bad. The film is nevertheless unnecessarily long and because of the action finale, eventually the whole sort of fades out into nothing. It’s too bad, but I actually still had a good time, plus I have to appreciate that it did without including most body fluids. ()

Othello 

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English Pineapple Express in bullet points: 1) It's like watching your stoner buddies who won’t even give you a puff and you realize how much you actually hate them. Not for being stingy, but kind of in general. 2) All the characters here, except the main duo, are absolutely horribly written, their relationship sort of sketched out but supremely dysfunctional (the gangster and the cop – WTF?), so you either hate them (in the way you hate a complete stranger who accidentally bumps into you on the sidewalk and doesn't say anything) or you don't give a shit about them and you're just pissed that they're occupying the overlong running time 3) absolutely terrible editing, which imho was caused by one of the main characters reliably stumbling in the dialogue and dragging the action scenes (both of them – and bad ones), which implies 4) the film has NO dynamics – the dialogue feels improvised, which is a detriment here, the motion jokes escalate absolutely wretchedly (unlike the excellent trailer), and for every good joke there's ten minutes of wallowing in shit 5) if you’re making a comedy about stoners, you should focus on the contrasts and clashes between the world behind the green curtain and the normal world, not the "when a reindeer meets a reindeer" method. 6) So as not to just throw stones, Pineapple Express isn't completely stupid garbage, it does have its scripted strong moments, like the heroes arguing in the style of "Your wannabe sucks, my wannabe is better", but the filmmakers don't seem to be too amused by that so they go back to the original concept of "Hey dude... moth" – so we're back to point one. 7) Apatow could use some friends already. ()

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