Terminator Salvation

I did not rush to watch this movie, even though the series is among my favorites. However, the first reactions from fans and reviews warned me that this would not be my cup of tea, and my expectations were completely fulfilled. Not that Salvation doesn't have anything to offer, as it has a very decent budget, the special effects are good, and it also has a decent pace and action. In principle, the reviews are right, which mention the resemblance to Transformers or Mad Max. But that is precisely the kind of movie that doesn't appeal to me. The original Terminator managed to create a myth alongside action, realistic violence, and adventure elements thanks to a quality screenplay that strictly adhered to logic within its sci-fi construct, and that is simply something that the fourth installment lacks. The screenplay is stitched with a needle that is too hot, the plot contains a number of inconsistencies, and the overall concept is somewhat fantastical. It reminds me of sci-fi for older children. Just the appearance of the giant robots, as if they escaped from a construction set... Overall impression: 45%. (2009-07-21)

McG actually surprised me in a good way. If I set aside the fact that it stylizes a large part of the exteriors as a backdrop for videos by KORN or some other nu-metal band, T4 has a pretty solid atmosphere. The dialogues are not action-packed - the few "philosophical" branches fit into the trailer, which is quite a performance. T4 offers nothing more in terms of lasting pleasures of the spirit. After a year, Sam Worthington again carried out a big movie theft, and once again the victim is... tatadadaa... Christian Bale. But he himself is to blame this time. Someone should really have explained to him that Connor is NOT a Terminator with an implemented depression chip. Unlike the single-shades of his more famous colleague, Worthington is able humanize his character and provide him with something unforgettable... If we disregard the robotic mentality of the plot and the background of thought, there are still a lot of solid action scenes (but not ballbusting scenes), a nice atmosphere and, for notorious nostalgics, also beautiful memories (for me the most are Gáni roaring from a cassette in the apocalyptic wasteland). I'm having second thoughts: On one hand T4 is soullessness, but on the other I had a great time and wondered what it would be like if someone who could do more than just serve fancy pictures got a hold of it... In this way, I have to conclude that, although unreal, the dehumanization and urgency of Cameron's childhood backdrops of the future remain unsurpassed. Indeed, is really the human heart that sets us apart from machines. McG is an overhead terminator. And faulty can screenwriters. Bah! (2009-05-21)

Arnold is back (for a while) Arnold is back (for a while), although in a quite different movie this time. Salvation has little to do with the original trilogy, well… other than being a sequel to it. But the real powerhouse turned out to be Cameron's dark horse Sam Worthington as Marcus. He’s the only one who moves the main storyline forward. The rest is just filler until what's about to happen happens. I also believe that Bale was only given the role of Connor because he comes across good and leader-like and can create a depressing atmosphere with his hoarse voice. By the way, I barely noticed Bryce Dallas Howard. McG shot an impressive action sci-fi (with robots from Sam Winston's mind), but it can’t touch the Terminator saga. Maybe because I realized this from the beginning, I kind of enjoyed this fourth part. (2009-06-18)

An A-movie budget for a B-movie that takes itself way too seriously, and which would benefit immensely if the director, instead of watching the Transformers movies and War of the Worlds, had put on the original Terminator. (2009-06-07)

The world of a dark future, which Cameron only hinted at, which gave a sense of something unknown and which I never wanted to see on screen, so that its menacing atmosphere would not disappear. Exactly this world is brought to us by McG with Skynet and the Resistance Movement, and to my great relief, he manages to dispel all concerns already with the exposition. There are plenty of reasons to be joyful after all. Whether it's both the dignified opponents at the center of the action, the crucial supporting characters, or the gallery of Terminator villains. But above all, the feeling that the saga was meant to come to these moments. For the direct continuation, thanks to the feeling that something great is being born, I enthusiastically supported it. However, the reality was different. (2009-06-08)