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In the aftermath of Judgment Day and the takeover by the machines, John Connor (Christian Bale, The Dark Knight), the destined leader of the human resistance, must counter Skynet's devastating plan to terminate mankind. As Connor rallies his underground street fighters for a last, desperate battle, he realizes that to save the future he must rescue his own father, Kyle Reese (Anton Yelchin, Star Trek). But the most shocking discovery comes with the arrival of Marcus Wright (Sam Worthington, Avatar), a mysterious loner from the past who challenges Connor with an impossible choice that will determine the future of the human race - leading them both on a brutal journey into the very heart of the enemy. (official distributor synopsis)

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Isherwood 

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English It's hard to expect anything more than what the trailers showed us. McG serves up (unsurprisingly) a decent summer blockbuster, cheerfully shoving in one quote after another, all in the visual style of Charlie’s Angels. It works, especially in the first half, more than adequately. The atmosphere of the demolished streets draws the viewer right into the middle of any hit game, and the action sequences, in which the heroes are chased by giant robots, have more life in them than all of Transformers. The problem, however, is the writers, who obviously don't care much for sound logic and have to start dissecting characters and relationships just to get to the tear-jerking ending that grabs you (literally) by the heart. In the end, one name comes to mind - Sam Worthington. This guy is going to make a big splash in the ranks of charismatic Hollywood guys. It is he who overrides my seventy percent hesitation to give it a fourth star. It's hard to say what time away and a potential second watch will do to that. ()

J*A*S*M 

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English A little better than the third part, but not by much. McG’s direction is fine, so are the special effects and the performances (Worthington is great and Bale plays second fiddle with his unlikeable Connor), but the script is a shame. There’s a lot that happens without any clear cause or motivation, the characters don’t have a clue about many important things, but they don’t care and carry on. Of course, it’s effective and nice to look at (the scene of the attack on the petrol station is awesome), but the moment they start speaking, things go south. Phrases like "We must protect our future! ... I do it to save all mankind!" today feel like something out of an old B-movie, especially when they are uttered for no other purpose than being uttered, i.e. with no reason or factual logical connection to previous (and subsequent) events. To be clear, though, I’m not that disappointed, Salvation is a solid action flick, but it could’ve been a lot better. ()

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3DD!3 

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English Arnold is back (for a while) Arnold is back (for a while), although in a quite different movie this time. Salvation has little to do with the original trilogy, well… other than being a sequel to it. But the real powerhouse turned out to be Cameron's dark horse Sam Worthington as Marcus. He’s the only one who moves the main storyline forward. The rest is just filler until what's about to happen happens. I also believe that Bale was only given the role of Connor because he comes across good and leader-like and can create a depressing atmosphere with his hoarse voice. By the way, I barely noticed Bryce Dallas Howard. McG shot an impressive action sci-fi (with robots from Sam Winston's mind), but it can’t touch the Terminator saga. Maybe because I realized this from the beginning, I kind of enjoyed this fourth part. ()

novoten 

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English The world of a dark future, which Cameron only hinted at, which gave a sense of something unknown and which I never wanted to see on screen, so that its menacing atmosphere would not disappear. Exactly this world is brought to us by McG with Skynet and the Resistance Movement, and to my great relief, he manages to dispel all concerns already with the exposition. There are plenty of reasons to be joyful after all. Whether it's both the dignified opponents at the center of the action, the crucial supporting characters, or the gallery of Terminator villains. But above all, the feeling that the saga was meant to come to these moments. For the direct continuation, thanks to the feeling that something great is being born, I enthusiastically supported it. However, the reality was different. ()

Zíza 

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English How an interesting subject can be turned into a pretty mediocre bore. I don't know why, but sometimes I had to grimace at their conversations, speeches. But what really annoyed me was that everybody's favorite shaky cam à la documentary style. Nothing against it, for example in Children of Men it was really useful, but here it's useless. Like I wanted a good look at what was going on, but was told: "Sorry, baby!". Sure, some things were good, but the lighter moments can't save a movie that's supposed to be Something. The only thing I was honestly pleased with was the "rubber" imitation of Arnie's face, I enjoyed that special appearance. ()

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