Terminator Salvation

Arnold is back (for a while) Arnold is back (for a while), although in a quite different movie this time. Salvation has little to do with the original trilogy, well… other than being a sequel to it. But the real powerhouse turned out to be Cameron's dark horse Sam Worthington as Marcus. He’s the only one who moves the main storyline forward. The rest is just filler until what's about to happen happens. I also believe that Bale was only given the role of Connor because he comes across good and leader-like and can create a depressing atmosphere with his hoarse voice. By the way, I barely noticed Bryce Dallas Howard. McG shot an impressive action sci-fi (with robots from Sam Winston's mind), but it can’t touch the Terminator saga. Maybe because I realized this from the beginning, I kind of enjoyed this fourth part. (2009-06-18)

The fourth Terminator is somewhere between the visual purity of T3 and the grandeur and fatefulness of T2. You can almost feel through the TV screen the physical action scenes, which have bombastic sound and precise editing. Similarly, the dirty and uncertain future is portrayed with appropriate dark music and excellent lighting. McG also treats the viewer to several knockouts in the form of brilliantly shot scenes and various camera tricks. But the last act is not good, with a finale that is logically simple, overly terse and in the context of the preceding events, not sufficiently epic. The characters are fine and technically gripping. It’s a pleasant bridge to the next installment, which I can imagine. (2009-06-05)

A little better than the third part, but not by much. McG’s direction is fine, so are the special effects and the performances (Worthington is great and Bale plays second fiddle with his unlikeable Connor), but the script is a shame. There’s a lot that happens without any clear cause or motivation, the characters don’t have a clue about many important things, but they don’t care and carry on. Of course, it’s effective and nice to look at (the scene of the attack on the petrol station is awesome), but the moment they start speaking, things go south. Phrases like "We must protect our future! ... I do it to save all mankind!" today feel like something out of an old B-movie, especially when they are uttered for no other purpose than being uttered, i.e. with no reason or factual logical connection to previous (and subsequent) events. To be clear, though, I’m not that disappointed, Salvation is a solid action flick, but it could’ve been a lot better. (2009-06-04)

I did not rush to watch this movie, even though the series is among my favorites. However, the first reactions from fans and reviews warned me that this would not be my cup of tea, and my expectations were completely fulfilled. Not that Salvation doesn't have anything to offer, as it has a very decent budget, the special effects are good, and it also has a decent pace and action. In principle, the reviews are right, which mention the resemblance to Transformers or Mad Max. But that is precisely the kind of movie that doesn't appeal to me. The original Terminator managed to create a myth alongside action, realistic violence, and adventure elements thanks to a quality screenplay that strictly adhered to logic within its sci-fi construct, and that is simply something that the fourth installment lacks. The screenplay is stitched with a needle that is too hot, the plot contains a number of inconsistencies, and the overall concept is somewhat fantastical. It reminds me of sci-fi for older children. Just the appearance of the giant robots, as if they escaped from a construction set... Overall impression: 45%. (2009-07-21)

An A-movie budget for a B-movie that takes itself way too seriously, and which would benefit immensely if the director, instead of watching the Transformers movies and War of the Worlds, had put on the original Terminator. (2009-06-07)