Vantage Point

"Pete, let's throw in an unorthodox time loop, a Bourne-esque car chase, a cute guy from Lost, and an elite cast that's not yet a write-off, and it'll work." It's out of your head before you walk down the back row of the multiplex stairs. At the beginning, the repetitive time loop seems a bit tiresome, but as time goes on, the increasingly convoluted plot manages to at least activate the jaded senses of the tired viewer. The short runtime (one hour and twenty without credits) and the abrupt ending proves that 40 million is really not much for an action flick :o) (2008-05-12)

A fun bite-sized snack that greatly entertained me for about an hour and a half, but its quirkiness bothers me. It doesn't hold back on adrenaline, nor on good actors, but I would have enjoyed it much more if it had truly been the originally intended script for a full-length 24 movie, and if I could have found common ground with the main character (in this case Bauer). As it is, it remains effectively, but excessively loosely designed trauma. The direction is brisk, the interweaving of characters and storylines is sufficient, but only a few moments and the current culmination of all perspectives stayed in my mind. (2008-07-13)

This film would be more than above-average entertainment if it didn't borrow so brutally from all possible action flicks of recent years: a weapon like in The Jackal, quickly edited, dynamic chases like in the Bourne films (the action music was so obvious that for a moment I thought it was a Powell advertisement), a bomb madness like in Kingdom (debris, sound effects, echoes, dirt), and so on. But for forty million dollars, I don't think more could have been done, and the material is squeezed to the maximum. What is disappointing the unrealistic shooting and the somewhat second-rate villain, whose compromise couldn’t be more predictable, and even a moron can see at that moment what the ending will be like. (2008-08-24)

All the characters look like templates: the heroic president, the cool bodyguard, the good natured black man, the cute little girl, the hardened terrorist and others similar to him. All of them take part in a interesting action flick whose subordination to the mainstream is indisputable, notwithstanding the good idea of repeating the same moment. If you can put up with that, you’ll have more than enough fun for an hour and a half. The final car chase looks good, but it felt a little like déjà vu… no wonder, yesterday I watched Bourne. If Vantage Point was less naive and more uncompromising and tougher, it could get five stars, I really like films that play with time. (2008-09-01)

A very energetically filmed thriller where you feel like you’re assembling a jigsaw without the picture on the box. It’s full of surprises. Telling the same story from various points of view is not at all stereotypical and the mode of storytelling often reminds one of Kiefer’s Twenty-four and the Bourne movies will definitely spring to mind during the closing car chase. The actors (perhaps with the exception of the weird-acting Forest Whitaker) give very decent performances. You find yourself crossing fingers for Dennis Quaid right from the beginning and that Matthew Fox is very surprising again. I had a great time. 80% (2008-06-04)