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What if your own family stood in the way of everything you worked for? Bobby Green (Joaquin Phoenix) has forsaken his name to escape his family and their tradition in law enforcement to pursue his ambitions as a Brooklyn nightclub owner. As he turns a blind eye to the drug dealers around him, he comes face to face with the family he abandoned when his brother (Mark Wahlberg) and father (Robert Duvall) crack down on the club. Now Bobby must choose a side. Is he going to turn informant or will he help run the biggest crime ring in New York history? (Columbia/Sony)

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Reviews (12)

Lima 

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English Quite a pleasant surprise in the end. James Gray has improved quite a bit, after the previous very boring, almost TV-like The Yards this is way better. At times pretty suspenseful (the visit to a drug den, the car chase in the rain), at times ridiculously theatrical; overall a better 3*. The bloodless Wahlberg is much neglected, Eva Mendes serves as mere decoration, basically the whole thing is pulled by a superb Phoenix, it’s a terrible shame that he plays in so few films. ()

kaylin 

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English Movie about how even if you are a loser, you can eventually become an honorable citizen, even to the extent that you will be on the side of good, specifically the police. Joaquim Phoenix shows what he's made of, unfortunately the script of this film is not groundbreaking and only gives us a glimpse into the issue, which was better portrayed in the film "American Gangster" and even better in various other mafia movies that the film industry is full of. It tries to be "new" in the sense that it shows us a slightly different story of a person, not a downfall but rather growth, which ultimately leads to the viewer feeling the weight of the pathetic effort to create an overly positive hero. Mark Wahlberg had enough room not to offend, which is typical for movies with him. "The Fighter" relied more on Christian Bale's performance, although it is true that Wahlberg also had enough space here. Sometimes he can be quite unbearable, as in "Ted". The film "We Own the Night" doses him just right. It tries to be a drama, which works in some places, but to be a truly great drama, it is too unoriginal. More: http://www.filmovy-denik.cz/2012/05/noc-patri-nam-voda-pro-slony-posledni.html ()

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POMO 

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English We Own the Night is smaller and less original, but more open and emotionally relatable than the similar American Gangster. Excellent actors, hard-on-inducing Eva Mendes, and a breath-taking car chase that will make the blood freeze in your veins. Very good job, folks! ()

D.Moore 

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English I enjoyed this old-school film in all ways. Maybe it was the fact that I still haven't had the pleasure of seeing The Departed, which many people compare We Own the Night to, but basically I saw a good film with a simple story that the director wrapped in a suitably rough and fitting coat. The actors were all great and I enjoyed Kilar's music and tastefully chosen songs. The atmosphere of some of the scenes (the "feather", the transfer - especially that - and the ending) was incredibly realistic, and for a film that lasts less than two hours, it went by very quickly. It’s too bad that it had no logic at times, though. ()

Remedy 

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English Not a particularly original story, but with its structure (it could easily have been de facto wrapped up in an hour over, but it isn't, and that's a good thing!) and the well written and of course well acted character of Joaquin Phoenix, it towers quite high above the genre average. No unnecessary attempt at shocking twists, very well shot action (the car chase tops the list), and a divinely perfect Eva Mendes. Brilliantly written and directed. ()

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