Plots(1)

Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable, and man-made. Somehow immune, Neville is now the last human survivor in what is left of New York City and maybe the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone. Mutant victims of the plague - The Infected - lurk in the shadows... watching Neville's every move... waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But he knows he is outnumbered... and quickly running out of time. (Warner Bros. US)

(more)

Videos (4)

Trailer 3

Reviews (12)

Marigold 

all reviews of this user

English The atmosphere, which is as thick as pure gold, is considerably diluted in the middle by a) digital monstrosities b) black-ass agitation. Point a) is well balanced by Lawrence's strictly authentic directing and Smith's charisma, but unfortunately, point b) remains hanging in the air menacingly like a rotten crucifix. The raw and hopeless prelude directly tempts to leave it at it is, because the resulting depression would definitely be more impressive than a nice village with a church and God on a cloud. Despite the final "apage satanas", I enjoyed the film. If it wasn't afraid to stay in the declining genre, it could paradoxically be much higher. P.S. If it weren't for the coward producers, the alternative ending would have ironed out the final impression... ()

J*A*S*M 

all reviews of this user

English The first half is excellent, with a very good portrayal of a depopulated New York, Will Smith is brilliant and we don’t get to see much of the infected. But in the second half, when they start showing up more often and in their full glory, the quality declines because their CGI look is really not good. Also, the screenwriter deserves to be punched in the face for that ending. The rating is between 3 and 4 stars. ()

Ads

Lima 

all reviews of this user

English The cartoonish abilities of the infected are a shame. They are so strong that they could perhaps shred an armoured car and so fast that they could leave Asafa Powell behind in a short sprint. That clashes a bit with the rest of the film, which is actually a kind of intimate story about the lonely life of a single survivor, his feelings and sadness. An "intimate piece" with phenomenal visual effects, it must be added, because you have never seen New York depopulated by digital magic like this before and you may not see it again for a long time in the future. This is a one-man show about a guy who hardly leaves the screen for the whole movie, and Will Smith proves that if you have the acting chops, you can sell it, even the poignant dialogue with the artificial mannequins in the shop window. Who would have guessed years ago that this Fresh Prince, who rapped to the world his wisdom about the 'gangstas' of the neighbourhood, would become such an acclaimed film star. Despite the pathetic ending, it was two interesting hours, although the lady sitting in the cinema behind me had words for it: "....more American crap." She clearly didn't mean it. ()

POMO 

all reviews of this user

English I would have expected Akiva Goldsman to choose deeper material for his screenplay. On the other hand, he’s also the executive producer, who knows very well that to get a successful blockbuster, it is enough to develop a good premise into a superficial story, provide it with cool set designs and put Will Smith’s face on the posters. I Am Legend is the perfect commercial product. But if you want to see its premise reach its full potential, watch instead the tense and chilling 30 Days of Night, followed by the intelligent and technically advanced Children of Men. ()

3DD!3 

all reviews of this user

English Right after setting my noise interference device to channel 4, I was engulfed in the great atmosphere of an empty New York. The scenery is really impressive and the silence, the silence (even above my noise interferer, the sound of crunching potato chips and giggling) is chilling. Frances Lawrence really approached this from the right direction. Will Smith acts very convincingly, despite the role not being... let’s say, right for him. Especially in the second half he shows that he is able to be serious too. As for the “vampires" or, if you will, the light-shy, I’m convinced that people in makeup could never look so vacant and inhuman. I certainly understand Lawrence’s idea to do them digitally, because like this they really terrified me. Even though I admit that they were far from perfect. But what prevents me from giving it five stars is the fact that the screenplay begins (especially toward the end) to behave too “American" and changes from before unseen into a clichéd genre with an inevitable ending. This might have worked before, but today at least I am unimpressed. Can’t a movie just end normally? And they should have translated the title in Czech properly. I’m adamant about that. ()

Gallery (58)