Pan's Labyrinth

Earthly life is sad and violent, while the world of supernatural beings is magical and pleasant. In this film, however, things are definitely not like that. Yet in the supernatural world, you can at least eventually find justice. In the earthly world, no. Or yes? Just as Ophelia cannot reconcile herself with the (albeit inconspicuous) injustice done to an innocent creature and, as a result, becomes an innocent victim herself, Spain was forced to become a victim of Franco's fascism for four decades. Ophelia is rewarded for it in the fairy tale world. Spain, in the real world, may not seem like it at first glance, but there is still a chance - if the Spaniards were not willing to sacrifice the innocent for their own happiness, the new generation, even if it emerges from the horror of the previous generation, can experience more just and free times. (2012-06-28)

Faun's Labyrinth meets all the requirements of a quality film - a strong story, the appropriate budget, an experienced director, and a solid cast. It is exactly the kind of fantasy that I like because it doesn't trample on the most cheaply stolen motifs from Tolkien in a thousand ways, but goes its own way and combines a classic fairy tale story with a realistically conceived war drama. It is original, emotional, tense, and artistically elaborate with excellent cinematography, and the director is not afraid of even naturalistic bloody scenes and ventures into the realm of pure horror. Overall impression: 90%. The pinnacle of Guillermo del Toro's work so far, which will be difficult for the director to surpass... (2009-04-01)

Once upon a time... This unusual fairytale from Guillermo del Toro gave me much more than I expected. Pan’s Labyrinth is full of enthusiasm and love for fantasy, imagination and fairytales. The mysterious “faun-like" atmosphere alternates nicely with real life from the end of the Second World War, without taking away anything from one or the other. The acting performances are excellent and the little Ivan Baquero has my respect. She played difficult scenes amazingly and truly convincingly. The superb makeup shared hugely in conjuring up the almost horror feeling to the movie (especially the um... Pale Man was a work of genius) and I also liked the music which set a great atmosphere for the story. (2007-07-05)

Love that doesn't touch me, cruelty that becomes routine and a fairytale atmosphere that cannot provide the necessary comfort due to its fragmentation. Del Toro took on too big of a bite, which crumbled into two large crumbs. One slightly smaller, sweet yet bland, the other worn out and almost hard. And not tasty at all. Fragments of a fascinating world, successful atmosphere of fairies, Fauna and creatures from Ofelia's tasks, these are aspects that simply had to captivate me. But there remains the second part with the partisans, eternal failures, and the wild stubbornness of Captain Vidal. When the script tries to torment the viewer with "bad events" too much, it starts to bother me. But when every turn hides obstacles, misfortune, or disaster, sympathy for the main characters disappears completely. Compared to Hellboy packed with ideas to bursting, surprisingly constrained and one-sided detour to nowhere. (2008-01-04)

A truly naturalistic drama from the twilight of the Spanish Civil War, which, through its groundwork of the neighboring worlds of reality and fantasy (surreal), recalls the director's film called Devil. Thanks to the difference between the two worlds, Pan's Labyrinth splits into two different levels – the level of bestial drama and the level of a Goya picturesque fairy-tale horror about the world behind the mirror. What I really miss in this film is the coherence and integrity of both fictional spaces. With the exception of the conclusion, from their union, I had the impression of a kind of discord, uselessness, and that it was forced. Maybe I'm too used to Burton's optics, in which everything has its order. Guillermo Del Toro has order mainly in the visual and technical concept, which is excellent and makes Pan's Labyrinth into a high-quality spectacle in terms of atmosphere, masks, set design and, last but not least, acting. In the end, the culmination of the film brought a clear moment of motivation to the whole scheme and dulled slightly my awkward impression of Del Toro's script. If this special genre mix doesn't appear in Czech movie theatres, the distributors should put their heads in the sand. Despite having a few criticisms, it's a hugely attractive experience and arguably the best endeavor of the Mexican's career... I place it in the poetic neighborhood of Tim Burton and partly Terry Gilliam. (2007-03-31)