Jarhead

After a long, very long time, we have a politically incorrect and properly wild ride that doesn't pretend to be too artistic, like The Thin Red Line, nor does it try to impress the viewer with the naturalism of its combat sequences, like Saving Private Ryan. Jarhead is a cool war caper that masterfully mixes all the necessary ingredients (stunning visuals, excellent actors, a hint of philosophy, and a thoroughly depressing war atmosphere), just in the way as a slightly demanding viewer would like. Some scenes are flawlessly staged, some are funny, some are shocking. But the whole is excellent, and for the first time, this is a film from Sam Mendes that doesn't try to impose on the viewer that he is a great director who only makes artistic stuff (whether it is true or not). Jarhead is a fair affair that grips you and there is no escaping it. (2006-08-10)

I wasn’t expecting much from Mendes, but I really liked Jarhead. I know I'm not the first or the last to write this in a review, but after making a war drama with a penchant for expert psychology, a minimum of real action and a premise seemingly glued together by pathos in such an open, unobtrusive and uncomfortably real way, Mendes deserves, if not outright respect, then certainly deep compliments. It's a chilling account of the horrors of war, easygoing and low-key on the surface, but so powerful and believable inside that it has earned a place in my eyes among the thought-provoking masterpieces that are dominated by Coppola's Apocalypse Now (which also comes to mind quite strongly here). Jarhead may not be the best shot, funniest or most emotionally gripping war story made in Hollywood, and we've seen all of its basic themes in many other films, including some that we now call classics, but it’s one of the few American films that had me believing everything in it. This is where the awkward "based on a true story" caption would work quite nicely:-) 80% (2013-08-27)

Serious perspectives of war as hell on earth abound throughout cinema. It's a bit harder to find lighter funny satires. Yet is it worthwhile to look at war without a drop of sentimentality and still maintain a sarcastic tone about how "war is an asshole" even when it's boring? Sam Mendes has undergone a genre metamorphosis and instead of family crises, he observes the negative effects of combat conflict on individuals without firing a single shot. Right from the introduction to when they are at the military staging area, which in a way paraphrases Kubrick's Full Metal Jacket, through the uncompromising pouring of ideology into the brains of the soldiers, when it is necessary to declare to the public forever how important it is to fight for one's country, to the (non)encounter with the enemy itself. In this case they are not the Iraqi troops, but rather one's own frustration from unreasonable boredom and endless waiting. When Swofford thinks of his girlfriend, the viewer is tempted to go and pat him sympathetically on the back; when he cleans latrines as punishment, we prefer to turn away. And when the sky turns black and oil rain starts falling from the sky, everyone has to realize that things can't get any worse. Then memories of encounters with a lone horse or a column of Humvees wandering through the desert come to mind and we want to praise cameraman Roger Deakins. Finally, any Foxx - Gyllenhaal debate tells us that the current generation of actors has its aces. And I'm beginning to think that going to war wasn't the happiest decision I’ve ever made. (2006-04-15)

An entertaining and, in its own way, very cool account of war without chilling battle scenes? Yes! Sam Mendes is at the top of his game, creating the dense atmosphere of the desert in an original way and, without sentimentality or emotional swings, documenting the depression of the Marines who experience life’s losses instead of fulfilling their American boyish dreams. Jarhead is a remarkably laid-back film about uncomfortable issues. (2006-01-14)

Unconventional war and anti-war film, not unlike Platoon, but unfortunately quite difficult for the average viewer, and I admit, even for me. Total boredom in the desert is not completely boring on the screen, but I couldn't fully immerse myself in the rising traumas of the soldiers. And a war film without gunfire simply isn't suspenseful. (2006-08-15)