Agent bez minulosti
Directed by:
Doug LimanCinematography:
Oliver WoodComposer:
John PowellCast:
Matt Damon, Franka Potente, Chris Cooper, Clive Owen, Brian Cox, Adewale Akinnuoye-Agbaje, Gabriel Mann, Walton Goggins, Josh Hamilton, Julia Stiles (more)VOD (1)
Plots(1)
The spy thriller opens as an amnesiac is rescued at sea by the crew of an Italian fishing boat. Nearly dead, he carries nothing but the bullets in his back and the bank account number embedded in his hip. Although completely without identity or background, he possesses an array of extraordinary talents in fighting, linguistics and self-defense that speak of a dangerous past. In the present he is disoriented and wary as he is propelled into an urgent search to discover who he is and why his life has taken a perilous turn. A Zurich safe deposit box yields an assortment of passports, a hefty load of cash, an automatic weapon and a name--Jason Bourne--with a Paris address. What it means remains a mystery, but Bourne quickly realizes that although he knows no one, there are people who recognize him--and do not wish him well. When he meets Marie Kreutz, a hard-luck German-born wanderer, he makes a desperate pitch--$10,000 for a ride to Paris. Despite her reservations, Marie takes the cash and begins a journey with Bourne that changes her life forever. The trail of Jason Bourne's past snakes from Europe to CIA headquarters in Langley, Virginia, where Treadstone, a clandestine operation is based. As Bourne and Marie struggle to stay below the radar in France, all of the stealthy muscle of Treadstone is focused on tracking them and neutralizing Bourne as quickly and efficiently as possible. (official distributor synopsis)
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Reviews (14)
Matt Damon, with his boyish appearance, doesn't fit into the super agent type, at first glance he looks like an ordinary dude, but when he reveals his fighting skills, you can see what a mistake that impression is. It makes you root for him all the more and relate to him. A superb thriller that does without exploding cars and piled-up corpses. The hand-to-hand fight in Bourne's apartment is one of the best I've seen so far. And not to mention John Powell's great soundtrack would be an unforgivable sin. PS: After a repeat viewing I am forced to throw in the fifth star, this likeable "action flick" has everything such a film requires. And to top it off with a polished script, with some interesting original moments.
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A great spy action movie with very nice atmosphere and likeable heroes. I don’t know if I have anything to complain about, everything works as it should. It was of course close to five stars, but the overall impression is not strong enough, maybe next time… I’m already looking forward to the sequel.
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In general terms it’s totally fine. It's got plenty of action, drama, and ambition. But what bothers me here is the rather unappealing atmosphere. It's like a mock-up or a set-up for something big that's not so big after all. I don't think Matt Damon was fully baked at that point. The same old pace can get boring after a while. 3.5 stars.
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Action movies aren't usually my cup of tea, but this one is really worth it. It primarily relies on a well-developed script that isn't aimed at viewers with the mentality of an overgrown ten-year-old, and on the unconventional, more civilian portrayal of the main character. Matt Damon fits perfectly in the role of the disoriented agent and is in excellent physical shape. The film maintains a high pace, sustained tension, and an atmosphere of unpredictability. After watching it a second time, I'm raising my rating to 90% and adding a fifth star.
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I've been waiting long enough, and I got even more. Specifically, a perfectly intimate action drive, which has no equal in its genre. And even though the viewer knows well where the plot is heading, they gladly follow the path of agents, bosses, assassinations, and betrayals. The secret of the main character works superbly. And despite all the admiration, I have to admit that at that time, I didn't even hope that Jason could become the most impressive killer of the 2000s and that the adaptations of Ludlum's books would become almost artistically popular affairs loved by both perfectionists and ordinary viewers.
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