Event Horizon

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In this eerie science-fiction ghost story, an astrophysicist (Sam Neill), haunted by the memory of his wife's suicide, joins a rescue mission to salvage his life's work: the Event Horizon, a prototype spacecraft capable of faster-than-light travel that has been missing for seven years. Their arrival triggers contact with something beyond human experience--and more dangerous than ever imaginable. (official distributor synopsis)

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POMO 

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English The density of the claustrophobic atmosphere and the psychedelic dread of the first two-thirds of this film are among the best you’ll find in the sci-fi horror genre, which of course is ruled by Alien. The scenes with Sam Neill wandering through the narrow green tunnels are brilliant, as are a lot of the other visual tricks, including the opening circular “vertigo shot” (I saw it on the big screen and got seriously dizzy). Unfortunately, the film later becomes an action exhibition of screenwriting trash, like something from Paul W.S. Anderson. But I so fondly recall the first two-thirds that I'm sticking with by my four-star rating. ()

Othello 

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English The fact that this is without a doubt the strongest contribution to the discussion since Paul W.S. Anderson's automatische doesn't mean it's a very well made spectacle, but the premise is exactly what I look for and need in a science fiction film. The constant strobes, retarded jump-scares, and sweat-soaked zooms are thankfully outweighed by a gutted Jason Isaac, decompressed crew members, and cute visions of hell. The fact that 40 minutes of mostly gore scenes were cut and lost from the original 130-minute long cut is the biggest crime with this film. Otherwise, Andrei Anastasov would have been happy. ()

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DaViD´82 

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English A rather unbalanced picture with huge potential, a horror clone of Solaris. It starts out boringly, then becomes a great movie with a chilling atmosphere which rather curiously becomes a B-grade sci-fi full of plotholes, illogical behavior of characters etc. On the other hand, someday I would like to see the director’s cut, since Anderson subsequently distanced himself from this version. A shame that he has been stringing us along about how great it will be, but nothing has come from it (the question is whether a 45-minute longer version ever existed). For the time being, Event Horizon is an average movie that remains, however, the best thing that Paul has ever made. Which is sad. ()

Kaka 

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English It starts as a smart and atmospherically charged film, but it gradually becomes poorly staged horror without a hint of sense or logic. Laurence Fishburne is flawless as the captain, and the other crew members are also decent. The futuristic-looking sets will please every fan of dark sci-fi, but the closer the film gets to the end, the more you shake your head. There is literally no twist, blood pours like crazy – and completely unnecessarily – and all the carefully built atmosphere of mystery vanishes. Skip half an hour, replace it with a meaningful ending and maybe a bit of unpolopathically explained philosophy and it would be a very decent addition to the scifi genre. Like this, it's just a controversial bloodbath. ()

J*A*S*M 

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English Great sci-fi horror and also a brutal spectacle for something form the late 90s. The atmosphere does let down by the end, but never to the point that would affect the overall impression. The premise (a spaceship returns after being lost in the cosmos, bringing something with it) is awesome and I don’t think it could have been developed better. Hands down, Paul Anderson’s best work, even if students of physics would not agree. ()

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