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MacReady (Kurt Russell) and his team of twelve Antarctic researches unearth and inadvertently defrost a hideous, 100,000-year-old alien life form. Havoc ensues as the isolated scientists struggle with a foe that is a shape-shifting misanthrope. The remaining men are soon faced with the task of determining who's who in order to ensure their survival. (official distributor synopsis)

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3DD!3 

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English I had chills running down my spine throughout this outstanding horror sci-fi. Carpenter’s style is put to ample use here and the B-movie make-up suddenly looks darn convincing. The subject is excellent and has great potential in itself, maybe slightly B-movie, but high quality. The atmosphere of anticipation, distrust and secrecy grows by the minute. Kurt Russell gave perhaps his best ever performance in The Thing, and when I think about it, Carpenter did too. The carefully build up in atmosphere in combination with Morricone’s music creates an amazing experience making for a rather sleepless night ;). ()

MrHlad 

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English I'll admit this one got me. As always, great atmosphere (I managed to nibble on the Encyclopedia of Fantastic Film while watching it), decent Morricone music, a pretty good Kurt Russell, really good visual effects for its time and above all a brilliant ending. I love this movie! ()

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Marigold 

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English I don't like horror as a genre, but survival horrors are an honorable exception. And The Thing is almost a perfect representative, apart from the repulsive "gore" scenes, it contains something much more effective – a game with the psychology of the viewer. The principle of placing a group of characters in an isolated place (in this case, the white plains of Antarctica), making it impossible to escape (in this case, a massive storm) and exposing them to an enemy that can hide inside any of them is proven, but nowhere does it work as perfectly as in The Thing. The minimalist screenplay draws attention to the raw atmosphere, the replicas of the characters are more so purposeful, everything important can be seen and, above all, FELT. Something almost physically palpable comes out of The Thing - fear is not felt by artificial props, but by real experience. When the Thing appears, there is almost relief... Real fear is ignorance, insecurity. In short, this is how I imagine the perfect horror about surviving in extreme conditions. And the atmosphere of the polar base is so unique that The Thing probably won't be improved upon any time soon. ()

lamps 

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English Carpenter's The Thing is, without question, the scariest sci-fi horror film of all time. An orgiastic atmospheric experience that cuts deep into your nervous system from the very opening moments, in an oppressive and bleak setting, with a cold and unbearably depressing directorial rhythm and accompanied by a chilling soundtrack or physically disgusting (or cinematically beautiful) gore effects, only to place a devastating charge at the end and scatter even the last vestige of hope and light. A brilliant, incredibly compact film that never wavers, even with a single shot or spoken line, from its predetermined, most beautiful and purest imaginable genre path... One of those very few films I really never get tired of. 100% ()

Lima 

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English A horrifying parade of disgusting special effects with bodies disintegrating and mutating into hideous slimy creatures, the human head with spider legs is very cool. The chilling atmosphere of hopelessness and isolation perfectly underscores everything. We can only thank Carpenter for his bold directorial concept and the distribution company for having the courage to put this into wide distribution in its time. ()

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