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Hot on the trail of the assailants behind the brutal murder of Russian thugs, FBI agent Paul Smecker (Willem Dafoe) is surprised to discover the killers are Irish twin brothers (Sean Patrick Flanery and Norman Reedus) who believe they've been chosen to rid the world of evil. But as they unleash more brutality on the criminals of Boston's underworld, Smecker finds himself torn between busting the vigilantes...and joining them! (official distributor synopsis)

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Reviews (9)

Isherwood 

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English Two self-proclaimed angels of justice are crushed through the grinder of bland "post-Tarantino" dialogue, and it’s not helped by any attempt at a vigorous narrative style. Duffy sets up the whole situation very casually, without emphasis on the absurdity of the plot (one cat can't save it) and the comic hyperbole it draws from. The main duo is accurate, and so is Dafoe’s detective, but they all flounder in a situation that begins and ends with the opening sermon in the church. ()

kaylin 

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English Well, I was flabbergasted. This isn't just any ordinary crime/thriller, this is a proper gritty film about two brothers who decide to take justice into their own hands as two saints who are chosen to rid the world of filth. There's also the great Willem Dafoe, who is breathtaking as the policeman. A big surprise! ()

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novoten 

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English The story may limp along, you can easily mix up the supporting characters if you don't pay close enough attention, and I still haven't deciphered the final message years later (Satire? A warning? Both?), but I don't mind. The symphony of blood, action, and slow-motion shots contains almost everything a genre fan could wish for and pleasantly engages the viewer throughout. When I add Willem Dafoe's eccentric exhibitionism, any negative aspects are much harder to find. ()

Kaka 

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English Those were the days when they didn't know how to do comic book stuff yet. If it had the aesthetic of a darker Marvel or normal DC today, it could be a blast. But The Boondock Saints has a bit of a blowhard Ritchie and a bit of a whiny Tarantino, with some solid screenwriting in places, but nothing more. The few interesting moments cannot overcome the utter aesthetic chaos and confusing directorial style. I’d be interested in a remake, because the material does have potential. ()

Lima 

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English Tarantino's poetics, a lot of violence peppered with hyperbole in places, "fuck" following every other word, brisk direction by Duffy with a few visual flourishes that erase the handicap of the basic script and the low budget. But I also have to partially agree with betelgeus, I am slowly getting tired of the Taratino clones. Not everyone can combine violence with absurd humour as well as Tarantino or Guy Ritchie. Duffy has only a few bright moments (especially the scene with the unfortunate butchering of the cat). PS: On the other hand, Dafoe in the role of a genius detective is brilliant! ()

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