The Boondock Saints

The story may limp along, the supporting characters can easily be confused with little inattention, and I still haven't deciphered the final message after years (Satire? Warning? Both?), but I don't mind. Symphony of blood, action, and slow-motion shots contains almost everything a genre fan could wish for and it pleasantly engages the viewer throughout. When I add Dafoe's eccentric exhibition, any negative aspects are much harder to find. (2008-06-20)

Tarantino's poetics, a lot of violence peppered with hyperbole in places, "fuck" following every other word, brisk direction by Duffy with a few visual flourishes that erase the handicap of the basic script and the low budget. But I also have to partially agree with betelgeus, I am slowly getting tired of the Taratino clones. Not everyone can combine violence with absurd humour as well as Tarantino or Guy Ritchie. Duffy has only a few bright moments (especially the scene with the unfortunate butchering of the cat). PS: On the other hand, Dafoe in the role of a genius detective is brilliant! (2004-08-08)

All things considered, the film fell far short of my expectations. I was expecting more gore, more violence, more action. The film practically works in that vein all the time. The characters don't spare the macho bullshit about exterminating the mafia and how they’re not messing around, and there are all of three such scenes. Likewise, when the bad guys pick up some uber-slasher from the prison to rip him one, the viewer is in for a hell of a shootout. And yet this takes place in such a way that the three characters are unable to properly shoot the opponent standing in front of them, who in turn is unable to take them down. In addition, the story is very strange, with a few absolutely incomprehensible interjections (Dafoe like fuck) and so on. Fortunately, the first half contains quite a few good lines, and Willie is really pouring it on. Otherwise, wasted potential. (2010-04-22)

Those were the days when they didn't know how to do comic book stuff yet. If it had the aesthetic of a darker Marvel or normal DC today, it could be a blast. But The Boondock Saints has a bit of a blowhard Ritchie and a bit of a whiny Tarantino, with some solid screenwriting in places, but nothing more. The few interesting moments cannot overcome the utter aesthetic chaos and confusing directorial style. I’d be interested in a remake, because the material does have potential. (2021-06-13)

Massive surprise. I’d never heard about this film, my colleague Coldrexx recommended it and I couldn’t be more thrilled. The Tarantino style is evident, though not as perfectly honed as with Quentin himself, but still works great. This means a high dose of wisecracks, a lot of blood, weird characters (the best of which is the excellent FBI agent). It’s been long since a film surprised me so much and it’s been long since I laughed so much. Great. (2010-10-28)