Equilibrium

A typical case where film critics and fans sharply disagreed; immediately after its release, I believe it had an 80% rating. I really liked it on the big screen. After leaving the movie theater, I would have given it a 75% overall impression, but I'm convinced that on a second viewing, my rating would drop by about 15%. Films like this are akin to meeting a charming girl who shows up to the second date without makeup... Decent acting and special effects, visually flashy, but the script and dialogue quality are nothing to write home about. (2007-05-04)

I'd take those nifty sleeves and pockets, too... What would the world be like if we couldn't feel? Like this? Better? Worse? Would it even be at all? No, I don't want to know. I feel. You feel. We feel. And that’s how it will be as long as the last person breathes. A very beautiful film. Makes me think a lot – once the credits start rolling, that is. Otherwise, I enjoyed the spectacle throughout. The shooting and the hidden emotions. I hate strict regimes; that is, unless they're breaking down. (2008-05-25)

A genre mix with an idea that not even the legendary 1984 managed to bring to its end. What is missing here in some passages in action, makes it better. It is a pity for the slow start, which instead of an exciting action sci-fi ride, resembled a tired post-apocalyptic story. The rest is visually attractive and intellectually engaging, on the second try even more abundant and complex. (2006-05-03)

The urban-industrial feeling is great, kind of retrofuturistic, it slightly reminds me visually of V for Vendetta. The action is great but lacks a bit of budget (but it still has a lot of energy and power), and the flashy explosion scenes are not exactly the great, but they are alright for an action B-movie with reasonable ambitions. Christian Bale is likeable and the idea is deep, although simple. There are some flaws, but nothing major. This film has pace and drive and knows what it wants to say and how. That's the main thing. (2014-07-06)

Equilibrium is a decent B-movie with good visuals and an interesting subject, but its undermined by clichés and predictability. It’s a less artistic, poppier version of Lucas’s THX 1138, intended for a younger audience raised on computer games. Kurt Wimmer has something. He could become a great director when he grows up. (2003-06-05)